10 ways the first episode laid the groundwork for the rest of the series
There was a lot riding on The Mandalorianfirst episode of. Star wars fans’ relationship with the franchise was on the rocks amid the sequel’s polarizing trilogy, and The Mandalorian was crucial to Disney’s launch strategy for its streaming service. Fortunately, “Chapter 1: The Mandalorian” didn’t disappoint, and the show instantly became a worldwide phenomenon.
Written by series creator Jon Favreau and directed by George Lucas’ personal protege Dave Filoni, the episode masterfully laid the groundwork for the rest of the series with quick storytelling, precise characterization, and intriguing world-building.
ten Mando is portrayed as an anti-hero
While Luke Skywalker is a clear-eyed hero who dreams of doing noble things to save the galaxy, the Mandalorian is presented more as an antihero who makes a living from ruthlessly bringing villains to justice.
Din Djarin’s character arc was defined by gradually softening its edges and becoming a more heroic figure. The pilot set the stage for this transformation by initially characterizing Mando as an anti-hero.
9 Greef Karga sets up the bounty hunter code so Mando can break it in a later episode
When Mando visits Greef Karga on Nevarro, not only does the scene make Carl Weathers’ guild boss a fascinating supporting character; it also establishes the bounty hunter code.
The bounty hunter code is basically defined as “Chekhov’s creed”. Karga lays out all the rules Mando must follow to set up a subsequent episode – which turned out to be “Chapter 3: The Sin” – in which he would break any of those rules and turn the whole guild against him.
8 He subtly established a post-empire world
The Mandalorian takes place five years later Return of the Jedi, and although its primary focus is the story of Din Djarin, the pilot episode subtly established the post-Empire setting for the series with a few key details.
The war-torn streets are paved with Stormtrooper armor, Mando struggles to escape the ever-expanding jurisdiction of the New Republic, and the Client uses former Stormtroopers as bodyguards.
7 The gunsmith introduced newcomers to the Mandalorian culture
pure and hard Star wars Fans were already familiar with the principles of The Way of the Mandalore before this series put one of the religion’s followers in the spotlight, but more casual viewers were unaware of the beliefs and beliefs of the Mandalorians.
When Mando visits the gunsmith in “Chapter 1: The Mandalorian,” she provides a bunch of exhibits to introduce newcomers to Mandalorian culture and beliefs.
6 The Western Revisionist Tone
Star wars has always taken influence from the western genre, but The Mandalorian in particular has positioned itself as a revisionist western. In the pilot episode, Mando is instantly established as the kind of lone antihero seen in dark, ultraviolet westerns. He even cuts a guy in half with a door in the opening salon brawl.
The rest of the episode retains Western influences. There’s a montage of Mando learning to tame a Blurrg like taming a horse, and a climactic shootout paying homage to The wild group.
5 The client has built an intriguing mystique around the child
Werner Herzog was a perfect cast for the client. The character’s role in the series is to create an intriguing mystique around Grogu, and Herzog’s intense line deliveries do more than manage it.
Two seasons later, there are still many questions about Grogu’s identity. But viewers know a lot more about its history now than when the mysterious “Baby Yoda” first became a worldwide sensation.
4 An abundance of Star Wars Easter eggs
While The Mandalorian decided to focus on new characters exploring new worlds, it is filled with Easter eggs and references to previous ones Star wars media for eagle-eyed viewers to catch.
This was established in the very first episode, which shows a bunch of Mando’s bounties frozen in carbonite and even contains a reference to Life Day, a rare canonical recognition of the infamous Holiday special.
3 Finding Grogu taught Mando how to deal with it
Although Mando is billed as a cold spaghetti western antihero, he shoots IG-11 to save Grogu, proving he has a heart. Finding a vulnerable little child finally teaches the Mandalorian how to take care of someone other than himself.
This scene offered strong character development in the pilot episode alone. Din Djarin would continue to warm to the kid and soften his edges throughout the rest of the series.
2 He took back the luscious fun of Star Wars
After the saga suffered its first box office bomb and franchise fatigue seemed to set in, The Mandalorian actually saved Star wars of potential misfortune. The series perfectly captures the pulpy pleasure of Star wars in a way the sequel trilogy never succeeded.
The show’s serialized format is reminiscent of George Lucas’ early influences: multi-part pulp series that brought audiences back with cliffhangers.
1 Iconic Finishing Blow Sets Up Lone Wolf & Cub Dynamics
Since Grogu was kept away The Mandalorian, the show was designed to focus entirely on Din Djarin’s career as a bounty hunter. However, the final shot in the pilot episode – Mando and Grogu reaching out to each other – established the true premise of the series.
Like the story of a disciplined warrior taking a baby on all his adventures, The Mandalorian is essentially an intergalactic riff on the Lone wolf and wolf cub series.
NEXT: 5 Reasons Grogu Should Be In The Mandalorian Season 3 (& 5 He Shouldn’t)
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